This "How To" contains information on stained glass construction and helpful tips for all the basic steps. For more "How To" instruction, take a look at the "Learn How" section here and then locate your local stained glass retail store or studio for supplies, classes and a wealth of information!
Pattern Preparation Working with Copper Foil Scoring Glass Working with Lead Came Breaking Glass Soldering Grinding Glass Cleaning & Finishing Using Diamond Band Saws
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About Your Patterns Some stained glass patterns come full sized and some need to be enlarged, but all will need a little preparation. Make two copies of your pattern and keep the original for future projects. Number the pattern pieces on both copies. Add glass color, streak direction and other helpful reference notes. Cut one copy apart using stained glass pattern shears and use the other for layout and assembly. | |
Why use pattern shears? Both copper foil and lead came take up space around your pieces of glass. If you don't compensate for this now, you're project will "grow" ending up larger than its original dimensions. This is especially troublesome if your making a piece that will be installed into an opening such as a window or door. Pattern shears have three blades that automatically remove the right amount of the pattern to allow for the copper foil or lead came. This allows your glass pieces to fit together properly. Because the amount of space taken up by foil and lead differs, pattern shears are made in foil and lead versions. Make sure that you use the right one for your type of construction |
Framing and reinforcing so soon? The best time to consider your framing and reinforcing options is during pattern preparation. Framing varies slightly with each manufacturer. Choose your material and adjust the pattern before you cut it apart. Now is the time to plan for reinforcement. A general rule of thumb is to reinforce panels over three square feet. Mark you pattern for placement of reinforcing bars or strip to remind you of their location during cutting and construction. |
Pattern Preparation Tips
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It's important to use a quality glass cutter that is comfortable to hold. Try out different handle styles to find the one that's right for you. Look for a cutter with a carbide steel cutting wheel and axle. These wheels hold their cutting edge longer and produce a cleaner score. Some cutters have an oil feed system. This not only keeps the cutter head lubricated and free rolling, it also deposits a thin line of oil along the score which makes it easier to break. | |
When to replace your cutter head A dull or damaged cutter head will turn any project into a nightmare. Occasionally clean out the space where the wheel turns with an old toothbrush. Tiny chips of glass can get wedged in the opening causing the cutter to scratch instead of score the glass. Once the wheel is turning freely, score a piece of mirror which makes the score line easier to see. A damaged wheel will leave a dot-dash pattern instead of a smooth, even line. If you suddenly can't run a simple score and you've done the above, your wheel is probably dull and it's time to replace the head. |
Scoring Safety ALWAYS wear safety glasses when cutting glass. Place glass completely on a flat, firm surface when scoring. NEVER leave glass hanging off the edge of a table. NEVER hold a sheet of glass by its sides. Hold sheets from the top. If they slip out of your hand, you'll still have your fingers. NEVER lift a sheet above you "see what it looks like." Keep glass safely stored away when not working. |
How to get a good score There are several preliminary steps to making a good score. use a good, sharp cutter. A dull or damaged wheel will not score properly. make sure you lubricate the wheel so it rolls freely. Clean the glass of debris and surface film. Always score on the smoothest side of the glass To score: To see if you over-score (use too much pressure): |
How to use a Strip/Circle Cutter
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Glass Scoring Tips
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Choosing the correct pliers Each type of pliers has a different purpose and is used in different situations. Using the right pliers for the job will make your stained glass experience easier and more fun! |
Breaker/Grozier Pliers are dual purpose pliers with a flat jaw and a curved jaw. Both jaws are serrated for removing flares and tiny points of glassTo break out a score, hold the glass firmly near the score line with the pliers, flat jaw up. Use your right hand to hold the other half of the glass near the score line opposite the pliers jaws. Use a downward, rotating motion to break the score. To groze, hold the piers curved side up and use a rolling motion to gently scrape the glass edge against the serrated teeth. Use the tips in a chewing motion to remove small sections of glass or nibble out deep inside curves. |
Breaking Pliers have a smooth, flat jaw used for breaking long, thin pieces of glass. They allow you to reach into a piece of glass and hold it firmly at the score line without chipping the edge of the glass.To use, firmly hold the glass close to one side of the score line with the pliers and close to the opposite side of the score line with your other hand. use a downward, rotating motion with your hands to separate the pieces of glass. If you don't get a nice clean break of the glass is chipping and shattering, you may be squeezing the pliers too hard. |
Running Pliers let you break difficult scores with ease. The curved jaw applies equal pressure to both sides of the score line causing the score to 'run'. There is an adjustment screw on some types for adjusting to the glass thickness and amount of force needed to run the score. more pressure runs a score more quickly, less pressure more slowly. Curves are easily broken out by running the score slowly from one end to about half way and then from the other end until the scores meet.To use, place the jaws (with the center indicator line facing up) squarely onto the glass with the score line centered in the jaws. Turn the adjustment screw until it just touches the bottom handle, then back if off 1/2 a turn. Squeeze the handles gently until the score runs. You must have the jaws fully on the glass for the pliers to work properly. |
Breaking Tips
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"Do I need a glass grinder if I'm just starting out?"
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Which grinder is right for me? Consider the following to help you decide which features are the most important to you, now and in the future. Consult with your stained glass retailer before you buy for additional information and advice. Size - Grinder are made in two basic sizes, "large" with a 12" x 11" work surface and "midsize" with a 10" x 9" work surface. consider your bench space and the type of projects you'll be making. large pieces of glass are easier to work with on a large grinder. | |
Why is torque important in a grinder? The most familiar method of rating a motor is horsepower, but horsepower doesn't necessarily tell you how well a grinder works and is only part of the motor rating equation. Torque is a measure of how hard the grinding bit turns against the glass. At a constant speed (RPM) the more torque the more grinding power. When everything else is equal, the higher the torque rating, the better the motor. |
Grinding Safety ALWAYS wear safety glasses when grinding!. A face shield is extra protection, but is not a substitute for safety glasses. Always use your grinder in a properly grounded outlet. Never remove the grinding plug or try to override it. |
Grinding Tips
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"How many bits do I need?" The best selection of bits for you depends on the type of work you do and your personal taste. Grinder heads (bits) come in a variety of sizes and shapes for different types of grinding or to create certain effects. Pick the ones that will most efficiently do the job at hand.
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How to use specialty bits
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How to drill holes
For larger diameter drills, you will probably find it easier to use a drill press. |
Bit Tips
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Impossible cuts are possible with a band saw No other cutting tool gives you the creative freedom of a band saw. You can cut any shape you can imagine. Save money and frustration by making the cut on the first try. pattern pieces can be placed closer together creating less waste. you don't have to worry about getting that piece out of a one-of-a-kind sheet. you can cut multiple layers at once, making quick work of projects with repeating pattern pieces. There's no need to grind: The pieces have smooth edges that are ready to foil . A band saw won't replace your cutter and grinder for every situation, but it makes a great addition to any workshop! Many saws available also work with wood and metal cutting blades which greatly enhance their versatility and use. | |
Sawing Tips
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"How do I choose between copper foil and lead?" Choosing is really a matter of looks and technique preference. Either method is equally strong when properly reinforced. Copper foil is more appropriate for projects with many small pieces, intricate details, patterns that are more organic in nature and larger 3-dimensional pieces. You can use different sizes of foil to create different width solder lines and increase the depth of your piece. As a rule, larger pieces have larger solder lines, smaller pieces have thinner lines. There are decorative foils that can add interest and create unique looking solder lines. You can combine copper foil and lead construction in the same piece to get detail in some areas and uniform lines in others. | |
"How do I choose the right foil for my project" Most copper foil sold for stained glass use has an adhesive side protected by a peel-a-way backing and comes on a roll. When you foil your glass pieces, the backing is peeled away as you press the foil to the glass, centering it as you go. You want the foil to extend out over the edges of the glass equally. The foil is then pressed down over the edges, essentially wrapping the entire piece of glass. It is then pressed down or "burnished" to seal it against the glass. This process is repeated for every piece of glass in a copper foil project.
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Foiling Tips
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| Why choose lead? Lead construction lends itself nicely to geometric, straight line or gently curving patterns. The nature of lead channel or came makes it easy to create uniform width lines in your project. Lead came is soldered at joints - the intersections of different lead pieces and then the piece is cemented or puttied to seal the glass and impart strength. You can combine different widths of came in the same project for additional depth and emphasis. Panels that will be exposed to the elements are best made of lead. They can be weatherproofed and the lead allows for expansion and contraction. It is not advisable to make large 3-dimensional projects from lead came. Lead like foil, is available in different types and sizes:
You will need a few additional tools for lead came construction:
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"What is cement and why do I need it?" Cementing is necessary in lead or metal came constructions to secure the glass in the channels and prevent them from rattling. It finished the project making it solid and weather proof. There are many different products available for cementing. Check with your stained glass retailer to choose the one that's right for your particular application and installation. |
How to cement a stained glass panel
3.Allow the panel to dry flat for 24-48 hours. Check for cement that may have seeped out and remove with your fid. Allow the panel to finish drying according the manufacturers instructions before applying patina and installing. |
Lead Construction Tips
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"Which iron should I use?" The best irons for stained glass are between 80 and 150 watts. A wattage lowe than 80 won't melt solder fast enough for stained glass projects. The iron should have a chisel style top to distribute solder evenly and consistently. You can match tip size to the width of the copper foil seams or lead came or for the specific decorative effects you want. The iron you choose should be comfortable to hold. Consider the weight, balance and handle style. See if you can "test drive" different irons at your local retailer. Consider no only the type of work you're now doing but what you might be doing in the future. Buying a model or two up now may say you from frustration in the future. Consider the type of temperature control you want. Some irons have a single operating temperature controlled by the temperature of the tip you put in. They work like the thermostat in your house. When the tip temperature drops below the threshold, they kick on and then off when the tip temperature is regained. Other irons use a temperature control device called a rheostat. This works similar to a dimmer switch. You control the amount of electricity supplied to the iron and therefore the tip temperature by turning the dial up or down. Some irons have a built in rheostat while others plug into a separate unit. Rheostats allow you to match the soldering temperature to solder type, construction method, your soldering style and allow you to create decorative effects in the solder itself. | |
"What are ceramic core irons and why would I want one?" Ceramic core irons use a more electrically efficient way to generate and maintain heat than conventional wound wire heaters. The heater core extends into the tip for faster heat transfer. This keeps the tip hot longer so you can solder faster. Ceramic core irons pull in a burst of power and distribute it as needed to maintain the tip temperature without a heat recovery lag time. This is where you are working faster than the iron can melt the solder. Ceramic irons heat up to soldering temperature much faster, often in 30 to 60 seconds. Tips can't freeze into the barrel on a ceramic core iron. You can use most ceramic irons with a rheostat for increased flexibility in your soldering. | |
"Which solder should I use?" |
Soldering Safety ALWAYS solder in a well ventilated area! Never eat, drink or smoke while working the stained glass. Wash your hands thoroughly with soap and water before doing anything else! Keep your work area off limits to children. Never leave your soldering iron plugged in when not in use or unattended! Never override the grounding system on your soldering iron (or any other tool)! |
Soldering Tips
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| "How do I use patinas?" Solder and lead change color naturally over time, but you can change their color instantly by using patinas. There are many different formulas producing a variety of colors. Patinas are easy to use. Make sure your project is thoroughly clean and free of soldering, flux and cutting residues. There are many commercially available cleaners made specifically for stained glass. Make sure you select the correct type of patina for your application. Some patinas only work on solder, others only on lead. Follow the manufacturers instructions and use a brush or soft rag to apply the patina until you reach the desired color. Wash the piece again to remove any patina from the glass. Finishing compounds (or wax) are the final step to completing your stained glass project. They polish the glass and solder while helping to prevent oxidation. | |
Finishing Tips
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