Foiling Stained Glass: How To, Tips, & Tricks
The Copper Foil Technique
The copper foil method, sometime referred to as the "Tiffany Method"
involves wrapping each piece of your stained glass project in a copper foil
tape. The pieces are then joined together by soldering them on both front
and back over the copper tape wrapped edges. This creates the metal framework
that holds the pieces together. Copper is chosen because it is easy to form and
bend (malleable), solders well and is inexpensive. When Tiffany began using the
method to construct his now famous lamps, his workers took thin sheet copper and
using scissors cuts strips to the width of the glass pieces. The strips were
spread with molten beeswax and before it cooled they were wrapped around the
glass before it hardened. Today stained glass craft persons have available foil
in rolls, already cut to specific widths and thicknesses with the adhesive
already applied.
Why Different Widths?
The first, and maybe most obvious reason, is that glass still comes in
different thicknesses. True, most standard glasses are 1/8" thick, there are
still many companies making hand rolled glasses, mouth blown glasses, and
glasses with different textures. If 1/8" is the standard thickness of most
glasses, then 7/32" is probably the "standard width" copper foil, providing
enough overlap on both sides of the glass to create a strong solder seam. Some
glasses are thinner and a narrow foil provides the needed amount of overlap
while other glasses are thicker and require a wider foil.
The second and maybe less obvious reason, is that you want to create different width solder lines in your design. Aesthetically, smaller pieces look better with narrow solder lines, larger pieces with a bit wider line. Or maybe the design has lines, pieces or elements you want to accent or remove attention from. You can achieve these effects by changing the width of the foil which changes the amount of overlap and ultimately determines the width of the solder seam joining your pieces together.
The most commonly found widths of copper foil tapes in your stained glass store are: 1/8", 5/32", 3/16", 7/32", 1/4", 5/16", and 3/8". Other available but less commonly found widths are 1/2", 6", and 12" See all different types of foil tape products for stained glass use at site sponsor, Venture Tape.
Why Different Thicknesses?
You may have notice that the foil tapes not only come in different widths,
but also different thicknesses: 1.0 mil, 1.25 mil, 1.5 mil are the most common.
Most beginners find the thicker 1.5 mill tapes easier to work with; it is less
likely to tear and curl up as you wrap the glass. But thicker tapes can be more
difficult to work into tighter curves without splitting and some people find it
more work to fold and burnish down. This is where the thinner 1.0 mil tape may
be easier to wrap and burnish. The 1.25 mil tape falls in the middle. In the end
it comes down to what is easiest for you to work with.
Why different colored backs?
Originally, all copper tapes were copper colored, front and back.
This was okay for opaque glasses where you don't see inside of the seams. But
when used on transparent glasses or bevels you can look through the glass edge
into the seam. If you left the solder its natural silver or applied a black
patina to the solder seams this looked unsightly. Manufacturers introduced black
and silver back foils to alleviate this problem. Now if you use a clear or
translucent glass and intend to apply a black patina to the finished piece, you
can use black back foil to make the seams match the patina. If you are going to
leave the solder silver, use silver backed foil. If you are going to apply a
copper patina, then regular copper foil. There is even a double silver tape,
silver on both sides, you can use if you don't want to have to tin the edges of
pieces you're not soldering together but want to look silver. See all the
different backings and sizes of foil tape products for stained glass use at site
sponsor,
Venture Tape.
What is the best way to apply foil?
The object of foiling is to center the glass piece on the foil so
that you have equal amounts of overlap, front and back. Peel back about 1/4 -
1/2" of the paper backing from the foil to expose the adhesive edge. If
you are right handed, hold the glass piece in your right hand. With your left
hand apply the sticky side of the foil to the of the glass while looking down on
the piece to make sure it is centered. Use the thumb and index finger of your
left hand to peel press the foil in place as you hold and rotate the glass
between the fingers of your right hand.
You
want to start about 1/4" before any edge / corner (doesn't matter where you
start on round pieces!) and then work your way around the glass, peeling back
the paper backing as you go. Come around until you have overlapped your starting
point or come to the corner. Then either snip with scissors or tear off at the
corner.
Once you have applied the tape you want to crimp it over the
edges. Carefully fold and push the foil flat against the front and back sides of
the glass using your thumb and index finger. Make sure to fold corners neat and
flat.
If
the foil doesn't wrap the glass equally front and back, remove the bad section
and re-foil.
The last step is then to burnish, that is press and seal the tape firmly against the glass. You can do this using a fid, popsicle stick, plastic pen barrel or your thumbnail. What you want is to make sure the foil is firmly stuck to the front, sides, and back of the glass, removing any wrinkles and air bubbles. What you don't want to do is to over rub and stretch and pucker the tape and allow flux to get under it. If the edges of your overlap don't line up evenly, trim using a craft knife. This process is repeated for every piece in the project.
What about foiling tools machines?
There are many different hand tools and machines out there designed
to help apply the foil evenly, automatically remove the backing, crimp and
burnish. Check with your local retailer as often they have models in the
classroom you can try out before buying. Remember, there is a learning curve for
most tools! Most of the foiling machines accept 3/16", 7/32", and 1/4" foils.
What are copper overlays?
Overlays are used to add detail or special effects to a piece of
glass. You can create them from foil tape or with either adhesive back copper
sheets or thicker copper sheeting. Adhesive back products are cut slightly
larger than what is required to execute the design. The backing is removed and
the copper burnished to the glass surface. Draw the design using a fine line
marker and then use a craft knife to cut and remove those areas where the glass
is exposed. You can then bead solder on the design before or during assembly. If
it is a large area, don't solder to much or long in one place. This can cause
the overlay to lift from the glass or heat fracture the glass below.
You can also create overlays and 3-dimensional adornments from heavier gauge sheet copper using either scissors or a craft knife to cut the design. The piece can then be tinned and soldered in place during assembly or if it overlays an entire piece of glass, foil it directly onto the piece and treat as any other piece as you assemble the project.
What are mosaic tapes?
These are a specialty tape used in mosaic so that the colors and
textures are seen as if your glass were back-lit. They allow you to use such
glasses as cathedral and wispy in cast stone projects, allowing the color of the
glass to come out instead of being changed or muddied by the color of the
cement. They have a highly reflective surfaces that bounces light back
through the glass, like backing the piece with a mirror. They come in brass and
aluminum with a high tack adhesive and are designed to be resistant to athe
exothermic reaction of curing cement, and stay bright for the life of your cast
stone project. You can find out more about mosaic tapes and other mosaic project
adhesives at site sponsor,
Venture Tape.
Foiling Tips and Tricks
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